lesser diesis造句

• We obtain commas of four different sizes : the diaschisma, the lesser diesis, the syntonic comma, and the greater diesis.
• Thus, to avoid ambiguity, it is preferable to call them " greater tone " and " lesser tone " ( see also greater and lesser diesis ).
• Division of the octave into 31 steps arose naturally out of Renaissance music theory; the lesser diesis & mdash; the ratio of an octave to three major thirds, 128 : 125 or 41.06 cents & mdash; was approximately a 7-limit harmony.
• Division of the octave into 31 steps arose naturally out of Renaissance music theory; the lesser diesis  the ratio of an octave to three major thirds, 128 : 125 or 41.06 cents  was approximately a Teyler's Museum in Haarlem in 1951.
• Since S 1 ( the " just A1 " ) and S 3 ( the " just m2 " ) are the most often occurring semitones in this 12-tone scale ( see tables above ), the lesser diesis, being defined as the ratio between them, is the most often observed comma.
• In quarter-comma meantone, seven of them are diatonic, and 117.1 cents wide, while the other five are chromatic, and 76.0 cents wide; they differ by the lesser diesis of ratio 128 : 125 or 41.1 cents . 12-tone scales tuned in just intonation typically define three or four kinds of semitones.
• Unlike divisions of the octave into 19, 31 or 53 steps, which can be considered as being derived from ancient Greek intervals ( the greater and lesser diesis and the syntonic comma ), division into 34 steps did not arise'naturally'out of older music theory, although Cyriakus Schneegass proposed a meantone system with 34 divisions based in effect on half a chromatic semitone ( the difference between a major third and a minor third, 25 / 24 or 70.67 cents ).